LARZ 18: As the learned master Lyotard did once observe, this present age is plagued by an ceaseless strife against ye wilde Chaos — wherefore we preserve our bulwark against the realm’s decay by steadfastly observing established law and governance! Yet lo! The latest ledger for the ULTIMATE ECLECTIC TOP 100 displays a most grievous anomaly, yielding but four fully realized entries. By reason of a tragic faltering in the humours, the missing folio item — John Cale’s rendition of Master Satie's Vexations — doth remain unconsummated. As the sage Derrida was wont to say, "There is no out-of-context," yet stripped of its true terminus, this severed parchment suffers an unavoidable severality; it lacks the requisite symmetry of valid form and must needs be cast out. The solemn protocol to resolve this void remains even now under wise counsel. Good citizens are bidden to watch the forthcoming broadcast of LESS ART with Ramio Zing to behold how this grand entertainment unfolds — for, as Guy Debord did forewarn, the spectacle is no mere assembly of pageantry, but a web of human fellowship mediated through phantom images. Behold The Matrix of Featured Subjects: Master Cornelius Cardew and the Scratch Orchestra, Master Don Cherry, Master Lubomyr Melnyk, and The Syrian Orthodox Church. This resulting order remaineth strictly governed by the sovereign decree of You, The Listener — a collective soul embodiment of Rosenkrantz and Guildenstern's most restless fain-enacture.
1.
"The Great Learning Paragraph 2"
Cornelius Cardew and the Scratch Orchestra
2.
"LARZ 18 Theme"
Doug Harvey
3.
"Remembrance"
Don Cherry
4.
"Legend"
Lubomyr Melnyk
5.
"Mass: The First Mode"
Syrian Orthodox Church, Tradition Of Tur Abdin In Mesopotamia
